Southern movies won the top honours at the 58th Civic Blur Awards appear Thursday. While Tamil cine ‘Aadukalam’ was called in six top categories, Malayalam blur ‘Adaminte Makan Abu’ best up four honours. Marathi films additionally put up a abundant show.
Among Tamil films, ‘Aadukalam’ absolved abroad with the best trophies, including best administrator accolade for Vetrimaran; best amateur for Dhaush; best aboriginal cine for Vetrimaran; best alteration for T.E. Kishore; best choreography for Dinesh Kumar; and appropriate acknowledgment for V.I.S. Jayaraman.
In total, Tamil movies got 14 awards, including best extra for Saranya Ponvannan for ‘Thenmerkku Paruvakkatru’, which additionally got Vairamuthu the best artisan accolade and was called the best Tamil film.
V. Srinivas M. Mohan got the best appropriate furnishings accolade for ‘Endhiran’, while Sabu Cyril got the best assembly architecture accolade for the Rajnikanth starrer blockbuster.
J. Thambi Ramaiah was called best acknowledging amateur for ‘Mynaa’ and Sukumari won the best acknowledging extra accolade for ‘Namma Gramam’, while best apparel artisan accolade went to Indrans Jayan for ‘Namma Gramam’.
Malayalam films got six civic awards and ‘Adaminte Makan Abu’ topped the list. It was called best affection film, Salim Kumar got the best amateur award, Madhu Ambat best up the best cinematography bays and Issak Thomas Kottakapally got the best music administrator award.
Starring Zarina Wahab and Salim Kumar, ‘Adaminte Makan Abu’ is a affecting account of the efforts fabricated by an aged Muslim brace to go on the abundant admired Haj, while ‘Aadukalam’ is set in the accomplishments of a boondocks area cockfights are common.
Sound artisan Subhadeep Sengupta won the best audiography accolade for Malayalam blur ‘Chitrasutram’, while ‘Veettilekkulla Vazhil’ was called the best Malyalam movie.
As abounding as nine awards were accustomed to Marathi movies. Among them, ‘Mee Sidhutai Sapkal’, an inspiring, true-life news of a Maharashtrian woman’s action adjoin amusing ills, and ‘Baboo Band Baaja’ about a antagonism amid fate and hope, got three awards anniversary in assorted categories.
‘Mee Sidhutai Sapkal’ won the appropriate board award, best macho playback accompanist for Suresh Wadkar and best screenpaly (adapted) for Anant Mahadevan and Sanjay Pawar.
Rajesh Pinjani-helmed ‘Baboo Band Baaja’ best up the Indira Gandhi accolade for best admission blur of a director. Mitalee Jagtap Varadkar was called the best extra and Vivek Chabukswar the best adolescent artisan for the movie.
Ohter winners accommodate ‘Champions’, which was called best blur on amusing issues. The blur additionally got Shantanu Ranganekar and Machindra Gadkar the best adolescent artisan awards.
‘Mala Aai Vhhaychay’ absolved abroad with best Marathi blur trophy.
There were three awards for Kannada movies – best blur on ambiance attention and canning for ‘Bettada Jeeva’; best children’s blur for ‘Hejjegalu’; and best Kannada blur for ‘Puttakkana Highway’.
The year 2010 was not so acceptable for the Hindi blur industry and this was reflected at the civic awards’ annoucement. While best of top awards were swept by the southern movies, Arbaaz Khan’s admission assembly adventure ‘Dabangg’ starring Salman Khan got the civic accolade for best wholesome ball and Rishi Kapoor-Neetu Singh’s common ancestors ball ‘Do Dooni Chaar’ was called best Hindi affection film.
Vishal Bhardwaj’s rural ball ‘Ishqiya’ won four awards, including that of best music and best changeable playback accompanist for the producer’s wife, Rekha Bhardwaj.
‘Ishqiya’ was additionally cited for best area complete recordist (Kamod Karade) and best re-recordist of the final alloyed clue (Debajit Changmai).
Bengali films, too, didn’t put up a abundant appearance with aloof three awards — the Nargis Dutt accolade for best affection blur on civic affiliation for ‘Moner Manush’; best composition artisan for Vikram Gaikwad for the aforementioned blur and best Bengali blur accolade for ‘Ami Aadu’.
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